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Watch a short documentary of The Richard Hambleton Retrospective featuring the photography of Hank O'Neal at Phillips de Pury , New York City from September 9 through the 13th, 2011 presented by Vladimir Restoin Roitfeld and Andy Valmorbida in collaboration with Phillips De Pury & Giorgio Armani.  Click here

 

Hank's photographs of Richard Hambleton as featured in the June issue of Bliss Magazine.  Download the PDF here: Bliss article

 

Hank's latest show: Portraits 1970-2010 at The Lancaster Museum of Fine Art. This one man photographic exhibition features noted portraits Hank has taken over the last four decades.  The show will run through February 27th.  For more information please visit the museums web site here: http://www.lmapa.org/exh.html

Hank's Portrait of Robert Indiana during his reception at the Four Season's Restaurant in New York City, featured in Art in America: http://www.artinamericamagazine.com/news-opinion/news/2011-01-26/robert-indiana-hope-four-seasons/

Hank's Photographs of Richard Hambleton's Shadow Men on display @ The Dairy, London:  http://arrestedmotion.com/2010/12/viewpoints-openings-richard-hambleton-pop-up-show-the-dairy-london/img_3876_p-nguyen/

 

Hank's photography graced the facade of the AMFAR pavillion, Cap D'Atibes France, May 20, 2010

C-Span July 2010 —The American Association of University Professors, features The Ghosts Of Harlem American Edition as one of it's choices for The "Best of The Best" University Editions. "The Best of The Bests" Program program, offers librarians the opportunity to share advice and recommendations with their colleagues, and recognizes the valuable contribution that university press books can make to both public and secondary school libraries. (note:The Ghosts of Harlem feature begins at 11:40 and ends at 14:40) :Please Have a look at the video here: http://www.c-spanvideo.org/program/294474-1

Jazz Times Interview June 2010 — Hank O’Neal: Chasing Ghosts

ArtNews Article, March 2010, Friendships In Focus - Berenice Abbott, PDF

Hank O'Neal's Lower East Side Project Featured On Swiss T.V.

Seventh Man Magazine - "Richard Hambleton — New York" in Milan

Featured Artist on Valmorbida.com

Artists We Love, Featured Photographs of Richard Hambleton Street Art

Swide, Hank O'Neal's Portraits of Richard Hambleton, showing in Milan

oneartworld.com - Featuring Hank O'Neal's Richard Hambleton Related Prints for Sale

Abitare - Richard Hambleton in Milan featuring a portrait by Hank O'Neal

 

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Sincerely, Ty Cobb

An Informal Baseball Memoir 1948-1958


In 1948 I was eight years old and my baseball mentors were my grandfather, C.A. Christian, who'd been an exceptional a semi-pro player at the turn of the century in Royston, Georgia, and two of my fathers classmates at Texas Christian University, Jim Nolan and Jim Busby. Nolan never played higher than Triple A ball, but Busby had a twelve year career as an outfielder in the American League, followed by an even longer career as a coach in the National League. My grandfather went on to college, became a pharmacist but never forgot his days of glory as a teammate of the soon to become legendary, Ty Cobb. After my introduction to these three men, all I wanted to play baseball, and I chased baseball players from that year on.

In 1954 I found myself in Syracuse, New York, a teenager, still in love with baseball. I was a new kid in town and had little opportunity to play any kind of organized ball, so I spent my time at McArthur Stadium, the home of the Syracuse Chiefs. One of the better players on the team, Ben Zientara, lived two doors away, and I pestered him, and the other players, as often as I could. I also began writing major league players, both active and retired and, as fate would have it, Ty Cobb became my pen pal in 1955. He'd played with my grandfather in Georgia fifty-five years earlier, maybe that made a difference, but the nastiest man in baseball was very kind and supportive to me. Unfortunately, I abandoned Cobb and all the other baseball players the moment I made the high school baseball team in 1955. This is an important part of the story.

Cover Design by Paul Bacon

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